The Cloud (Japan), 2016. While the construction remains consistent, the full impact is achieved by creating architectural forms that are native to the area surrounding the installation. Staircase (2005). Words by Richard Baird Both Sides Now, a title borrowed from Joni Mitchell’s famous song, is a solo exhibition of Argentinian contemporary artist Leandro Erlich’s work that took place at the Seoul Museum of Art between December 2019 and March 2020. Toggle navigation Leandro Erlich. As we talked before, Argentinian artist Leandro Erlich is known for installations that seem to defy the basic laws of physics and befuddle the viewer. Leandro Erlich. All images: ©Leandro Erlich Studio.. Born in Buenos Aires in 1973, Leandro Erlich makes works that combine elements of sculpture, architecture and theatre to create uncanny environments that invert our sense of the world’s physical principles. An architect of the uncertain, Erlich creates spaces with fluid and unstable boundaries. bâtiment’ by argentinian artist leandro erlich is a large-scale installation consisting of a mock-up building façade turned on its side and a multi-storey mirror. Available for sale from Art Front Gallery, Leandro Erlich, Batiment II (2004), Inkjet print, frame, glass, 150 × 90 × 4.5 cm More than any artist working today, Leandro Erlich (1973, Buenos Aires) has created a body of sculpture and large installations over the past two decades in which the architectural appearance of the everyday functions as a type of perceptual trap, leading he unsuspecting viewer into a visual paradox that systematically defies what should be the rules and order of the material world. Leandro Erlich, Bâtiment (2004), Mori Art Museum, Tokyo, Japan, 2017.
A Device to Observe the Real. Press Release. Leandro Erlich (b. Leandro Erlich: The ideas I think about are often larger than my own intentions, frequently philosophical or existential in nature. The work becomes a vehicle to question or express these views, and hopefully the meaning of the art provides a form of answer.
Erlich is no stranger to the international stage having created similar installations of Bâtiment first produced in Paris in 2004 and then in Japan and Buenos Aires. The piece is clever in its simplicity: a massive building facade is constructed on the floor near a towering mirror giving anyone reflected the uncanny appearance of being weightless. Leandro Erlich questions viewers’ senses of ‘reality’ by offering unexpected combinations and relationships. Leandro Erlich has created a fun and interactive experience that is both individual and collective, real and unreal.
Before one tries to make sense of his sculptures and installations, one senses the uncanny. An architect of the uncertain, he creates spaces with fluid and unstable boundaries. Leandro Erlich created three-dimensional visual illusions that invited the viewer's interaction. Internationally known for his captivating, three-dimensional visual illusions, Argentine artist Leandro Erlich defies the laws of gravity with his GiantMirror art installation by letting the audience feel as though they are literally walking across the façade of buildings. El Ballet Studio, 2002, C-print, 41,7 x 57,3 x 3 cm. Works; Exhibitions; Bibliography; Information; Order Of Importance. Leandro Erlich was born in Buenos Aires, Argentina, in 1973. Leandro Erlich has exhibited in many prestigious institutions and Biennales, such as MoMA P.S.1 and the Whitney Biennial in New York, Museo de Arte Contemporanea in Rome, Walker Art Center in Minneapolis, Tsumari Triennale in Japan, Centre George Pompidou and Palais de Tokyo in Paris, and the 49th and 51st Venice Biennale, among many others. 1973, Buenos Aires) lives and works in Argentina. Leandro Erlich. 中文 . Specially tailored to Oi!, his extraordinary Bâtiment incorporated a huge mirror set out to alter reality and defy common sense and our perceptions of space. Art Front Gallery. THE WORLD’S LARGEST CINEMA By Andrew Maerkle.
The installation is called Bâtiment (Building) and is currently on display at Le 104 in Paris as part of their In_Perceptions exhibition. Batiment II, 2004. Art Front Gallery. Discover Galleria Continua's selection of contemporary artworks by Leandro Erlich. Photo Kioku Keizo, Courtesy the 21st Century Museum of Contemporary Art, Kanazawa. Contact Gallery. Bâtiment, 2004, print, mirror, 800 x 600 x 1200 cm, Photo Henriette DesjonquËres & Paul Fargues. Bâtiment (Building) is a mirrored installation by artist Leandro Erlich currently on display at Le 104 in Paris as part of their In_Perceptions exhibition. Contact Gallery. San Gimignano ... Bâtiment, 2004, print, mirror, 800 x 600 x 1200 cm, Photo Henriette DesjonquËres & Paul Fargues. Before one can make sense of his sculptures and installations, one senses the uncanny.
Copyright 2020 leandro erlich b%C3%A2timent